Young artists might find it easy to visualize John Webster's lurid 17th-century thrillers in present-day settings, but the task is not as easy as it first appears. Though our universe is not without its share of sensationalistic horrors in lofty social circles, we have learned a few things since The Duchess Of Malfi and The White Devil exposed the hypocrisy and greed rampant in unsettled times. Three hundred-odd years of enlightenment have instituted measures designed to restrict the abuses of power that fuel Webster's bloody intrigues.
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