Arlene Hutton's Courtship Play, Last Train to Nibroc, is the first in a trilogy recounting the progress of a Southeastern Kentucky couple in the years spanning World War Two and immediately after. Given the inclination toward epic narratives this region often inspires in playwrights (cf. Robert Schenkkan's Kentucky Cycle), Haven Theater Company invites considerable risk in presenting Nibrocas a stand-alone production, putting extra pressure on the pair of actors charged with conjuring, on a Beckett-bare stage, a world larger than that usually shared by lovers.
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