At a recent Off-Broadway production, the gentleman behind me was complaining vociferously during intermission and occasionally during the show itself that he enjoyed “fun” shows like Company or Funny Girl, not the depressing dreck he was forced to sit through that particular evening. My first impulse was to turn around and tell him if he was so unhappy, he could just leave. But then I realized that plays like Corsicana can be challenging, but if one is patient and takes these plays on their own terms, their rewards are great.
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