Douglas Carter Beane’s The Nance,nimbly directed by Jack O’Brien with impeccable timing and with vivid choreography by Joey Pizzi, is a laugh-filled, terrific Burlesque show, headed by America’s greatest comedian, Nathan Lane. He plays a gay vaudeville performer doing a gay (“Nance”) character in 1938.
With a fine set by John Lee Beatty and super costumes by Ann Roth, the play is full of Burlesque sketches old and new. They’re the real deal: actual, old-time routines enhanced and embellished for today’s audience. A supporting cast of lively comics, including a fine Lewis J. Stadlin, and Cady Huffman, make the material bounce, and the audiences bounces along with it for a very good time had by all.