When you are fortunate enough to be a member of the audience (49 people) at the 6th @ Penn Theater, you usually become a part of the production. This is true, in part, because many entrances are made from, and some of the action takes place in, the audience area. This happens in Ajax, under the direction of Forrest Aylsworth.
Dr. Marianne McDonald's translation of the Sophocles play is excellent, as are all her translations. Amanda Stephens' set consists of the front piece of Ajax's large tent, which doubles as a projection screen for topical photos. The projection designer is Paul Savage. There is a large rock outcropping, a palm tree, Ajax's shield, and a few other pieces. The simplicity of the set allows ample room for the extensive action on the small stage. Elvira Perez offers us a lighting plot that complements the set. Jennie Galioto's costumes create an authentic feel.
Sophocles writes and comments about war, warriors, and politicians in Ajax. The title character is a brave warrior, driven mad by the gods. Politician Odysseus supports Ajax against Agamemnon. Alas, this is but the bare bones of an interesting tale of war and its consequences, which offers contemporary parallels.
Towering Laurence Brown is the crazed Ajax. He understands Ajax completely and projects the character's inner demons. Brown emotes with tremendous power, maybe a wee bit too much for this small theatre. We feel his pain and can accept, somewhat logically, his final decision.
Another character, also at an emotional low, is Teucer, played by Brandon Walker. Teucer finds his warrior hero dead. Walker, as with Brown, plays his emotions strong and powerful, but with a bit less volume. The balanced and convincing Walker portrays much of Teucer's feelings in quiet sadness.
Max Macke's Odysseus, the mediator, is excellent. We see the politician at his best. In Fred Harlow's Agamemnon, we see the worst in a politician. A convincing portrayal.
6th@Penn is a theater known for bringing San Diego a well-rounded variety of productions. They are a standout house for producing fine classical theater and, especially, the works translated by Dr. McDonald.
