When you’re dealing with someone as talented and literary as Roger Rosenblatt (name an upscale magazine he hasn’t written for), there’s a temptation to view his deep-seated need to think aloud as smug pedantry. That side of Rosenblatt burst into ugly flower in his off-Broadway show, and. However, Rosenblatt shows off his best side when it’s just himself in a lecture-style presentation. It worked in 1991’s Free Speech in America, and it works again in Rosenblatt’s paean to books, Bibliomania, currently at the American Place Theater.
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