Heaven, as perceived by a very angry Canadian playwright George F. Walker, in his play of the same name, is hell on earth and visa versa. Or so it seems in his newest work, directed by Evan Yionoulis. The advertisements for this production come with a parental caution advisory; they should come with an adult caution advisory. It is ironic that while all the production qualities, from casting to technical elements, are first rate, Walker's writing veers from brilliant excitement to lazy to just simply self-indulgent, most noticeable in the rambling monologue at the end of the play.
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