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"Dream what you want to dream, go where you want to go, be what you want to be," James Dean has been quoted as saying, "because you have only one life and one chance to do all the things you want to do." Another time, he stated, "The only success, the only greatness is immortality." By that standard, Dean has achieved immortality. Long after his untimely death in 1955, the fascination with Dean lives on. On February 8, 2014, the forever young Dean would have turned 83.
Janet Carl Smith, newly retired Deputy Commissioner of Chicago's Department of Cultural Affairs, advised leaders and members of the Arts and Cultural Alliance of Sarasota County to collaborate among themselves and others in an address on February 20, 2014. She shared experiences and ideas to the Alliance and is currently pushing for a renewal of a tax to benefit education in Sarasota, especially in the arts.
Beginning October 10, 2013, La Comedie Italienne, the sole Italian theater in France, began its 40th season of continuing the centuries-old tradition of Italian players and scripts appearing there on stage, especially in Paris. On Christmas Day, the troupe's founder and artistic director, Attillio Maggiulli, was arrested for protesting a devastating cut in national subvention of the theater by attempting to drive his car into an Elysee Palace gate. The most recent news I've learned is that Maggiulli was sent to Police Headquarters and then for psychiatric evaluation.
Tracy Letts has been known to get excited when honing and honing and honing his work “to make what I’m working on the very piece.” When things didn’t necessarily please him, there are rumors that he screamed, called people names, and wrote exhaustively long e-mails. In writing the screenplay for his Pulitzer Prize, Joseph Jefferson-, Tony-, and Drama Desk Award winning August: Osage County,which played Broadway in December 2007 for 18 months after premiering in his Chicago hometown’s Steppenwolf, he was probably just as vocal, but to himself.
“There couldn’t be a better holiday season,” says very busy director/choreographer Warren Carlyle. “I truly am blessed to be here and doing what I love. It’s the culmination of all my dreams.”
It’s been said that Margo Martindale has gone from being an actress whose face moviegoers and TV viewers know to one who now has a brand name. “It’s nice when people come up to me and actually know my name! Usually it’s ‘Aren’t you -- ?’ or ‘Weren’t you in -- ?’ or ‘Hi, you’re the lady at my bank!’” Now, thanks to capturing the coveted role of Mattie Fae in the film adaptation of Tracy Letts’ Pulitzer Prize-winning August: Osage County[The Weinstein Company] and her boisterous and blistering performance, everyone’ll know her name.
“Frozen,” the Walt Disney feature which just opened as the season’s big, animated holiday film, is a movie that almost didn't happen – in spite of years of trying to get an animated film done on Hans Christian Andersen's “The Snow Queen.” Four years in the making, the film arrives and is worth the wait. Critics are calling it the best Disney animated film and musical in years.
PBS Great Performances and THIRTEEN have classic treats in store to ring in the holidays. First, on Friday, November 29, 2013: “Barbra Streisand: Back to Brooklyn,” a telecast of the diva's historic Brooklyn homecoming to christen the 19,000-seat, $1-billion Barclays Center, which marked her "home" concert since her childhood (and her first concert in six years). She performs 27 tunes from her five-decade career, joined by guests Il Volo, Chris Botti, a 60-piece orchestra led by William Ross, and, in quite a touching segment, her son Jason Gould.
There's not a lot of Southern comfort to ease the characters of Beth Henley’s gothic, black-comedy/drama, The Jacksonian, having its New York premiere courtesy of the New Group at Theater Row.
The 17-week limited engagement of John Tiffany's critically acclaimed revival of Tennessee Williams' The Glass Menagerie officially opens at the Booth Theater on September 26, 2013. The production marks the return to the stage of Tony, Drama Desk, and Emmy winner Cherry Jones, who costars as one of Williams' most memorable creations, Amanda Wingfield, the mother of crippled and shy Laura, played by Celia Keenan-Bolger (Peter and the Starcatcher) and Tom, portrayed by Zachary Quinto (Angels in America). Brian J.
A showing of Britain’s National Theatre production of “The Audience” on June 13, 2013, broadcast live may not have been as controversial as a few years of filmed ballets and operas, but it played up how the electronic medium adversely affected the play. A major criticism of filmed musical performances, such as operas from Met Live, is that they are edited and therefore not true to what audiences see in a theater. The criticism is like that heaped on television for editing films to fit the TV screen.
The third season for Jenny Gersten, artistic director of the Williamstown Theater Festival, ends August 18, 2013 with the final performance of the Broadway-bound musical, The Bridges of Madison County on the Main Stage and the controversial Blood Playon the Nikos stage.
From the beginnings of Barrington Stage Company, the playwright Mark Saint Germain has enjoyed a close relationship with artistic director Julianne Boyd. The smaller second stage is even named for the dramatist. From August 15-September 29, 2013 Barrington will present St. Germain’s Scott and Hem in the Garden of Allah.The play premiered this summer at the Contemporary American Theater Festival, in Shepherdstown, West Virginia, which commissioned it. Through a special agreement with CATF the play is having its “Rolling World Premiere” in Pittsfield.
Too Soon or Too Far? Contemporary American Theater Festival Founder Ed Herendeen's Thoughts on This Season's CATF Plays
Some 23 years ago, Ed Herendeen, then with the Williamstown Theater Festival in an administrative position, was invited by the president of Shepherd University, in Shepherdstown, West Virginia, to organize an annual, summer Contemporary American Theatre Festival. Since then, CATF, with Herendeen as producing director, has presented 100 new plays either as premieres or second productions of works in development.
Kate Burton stars in Tom Stoppard’s Hapgoodin a just-about sold-out, two-week run (July 10-21, 2013) in a return to familiar home turf at the Williamstown Theater Festival. Her husband, Michael Ritchie, was WTF’s former artistic director for nine years. The current AD, Jenny Gersten, was his assistant producer.
Remember the old M-G-M axiom: "More stars than there are in the heavens!" The 2013 Tony Awards, the 67th annual, telecast by CBS live from Radio City Music Hall on Sunday from 8-11 PM, has that beat. There'll be more stars than there are in the galaxy! Minus one, and more about that later.
The stars are aligning! Tony fav, six-time Emmy nominee and two-time winner and four-time Golden Globe nominee Neil Patrick Harris returns as the host with the mostest. Expect humorous barbs and songs.
The original Broadway cast CD of Grammy-winning rock icon Cyndi Lauper and four-time Tony Harvey Fierstein’s richly diverse Kinky Boots,nominated for 13 Tonys, including Best Musical, Score, and Book, is now available (Masterworks Broadway).
Do you know the way to off-Broadway, where this has been one of the best seasons ever? Theaters are easy to find, and off-Broadway has everything Broadway has, including (as a rule, but not always) uncomfortable seats and stages that are (often but not always) smaller. However, OB also offers tickets that are definitely cheaper. Two of the best and most nominated shows are big hits, and two potential hits have just arrived.
What I’ll always remember about Jean Stapleton is her wonderful giggle followed by an uproarious laugh. And when Miss Stapleton laughed, everyone heard. But there was so much more to this terrific lady: her sweetness, kindness, and thoughtfulness.
Of course, being a musicals buff, I knew who Jean Stapleton was when she got the co-starring role in TV’s groundbreaking “All in the Family.” I remembered her from the film adaptations of Bells Are Ringing and Damn Yankees and so regretted that I never got to see her do those roles onstage.
Sue Mengers was a trailblazer as the first female super-agent. She was powerful, revengeful, and witheringly sarcastic, but to those she loved, and vice versa, she was a mensch. Ms. Mengers passed away in 2011 at age 79 after a series of chronic illnesses and tiny strokes. In John Logan's play currently running on Broadway, I'll Eat You Last: A Chat with Sue Mengers,she is channeled brilliantly by Bette Midler.
Charles Giuliano recently sat down for a conversation with Barrington Stage artistic director Julianne Boyd to discuss the ever-complicated relationship between critics and the artists they cover.
Charles Giuliano recently interviewed Massachusetts’ Barrington Stage Company artistic director Julianne Boyd about the homogenization of regional-theater programming.
Charles Giuliano recently interviewed Massachusetts’ Barrington Stage Company artistic director Julianne Boyd about the theater’s $7 million capital campaign.
Charles Giuliano: What is the current financial status of Barrington Stage Company?
Julianne Boyd We moved in 2006. This is our 8th season in Pittsfield. Last May we acquired the former V.F.W. just a couple of streets over from our theater.
Triple-threat Shonn Wiley has done lots of shows in all sorts of venues, but even if you were to chart his career only in terms of his participation in the City Center Encores! series of staged concert musicals, you'd see clearly that he's a rising star. His first Encores!
Guitar-playing, folk-singing octodynamo, Lu Mitchell is mighty fine at 89. Not one to rest on her laurels, Lu is busy writing new songs, launching her tenth album, and rehearsing for her annual Irish show on March 12, 2013 at Pocket Sandwich Theater where she plays four gigs each year. This is in addition to numerous appearances at corporate functions, private parties, a holiday show at Uncle Calvin's Coffee House, and the annual Senior Follies extravaganza at the Eisemann Center.
When Janie Minick walks onstage and announces: "I'm Elizabeth Taylor Wilding Todd Fisher Burton Burton Warner Fortensky," you would suspend all manner of disbelief if Taylor were still alive. She is, of course, referring to her marriages to hotel heir Nicky Hilton, British actor Michael Wilding, Hollywood film producer Mike Todd, singer Eddie Fisher, Welsh actor Richard Burton (to whom she was wed twice), Virginia senator John Warner, and construction worker Larry Fortensky. She then interweaves the story of her life, romances, and marriages to each of them.
Editor’s Note: Twice each year, members of The American Theater Critics Association (ATCA) visit a city for several days of theatergoing and soaking in the local culture. In March 2013, ATCA held its annual mini-meeting in Indianapolis, Indiana, where Charles Giuliano was able to interview Indy theater critic Melissa Hall.
Janis Paige was supposed to play Feinstein's last spring, and I had the pleasure of interviewing her via telephone in advance of that planned appearance. But then she was injured in a fall and couldn't make the trip to New York from her home in L.A., so our interview was never published.
Coming soon to a theatre near you.
In 2010 Barrington Stage Company, in Pittsfield, MA, presented The Whipping Man by Matthew Lopez. It was staged in the smaller of two theaters now known as the Mark St. Germain after its board member and associate playwright.
Last week, as part of a meeting of American Theatre Critics Association (ATCA), I saw another production of The Whipping Man at the Indiana Repertory Theatre in Indianapolis. Both productions were excellent, with the Indy one far more elaborate in a larger venue (more like Barrington’s main stage).
The 1,600 seat Palladium in the $125 million Center for the Performing Arts, in Carmel, Indiana (a half hour drive from Indianapolis) opened in 2011 after years of planning. The magnificent, neo-classical structure, which features superb acoustics, gets its name from the Villa La Rotonda (1556) a Renaissance villa just outside Vicenza, northern Italy, designed by Andrea Palladio.
Singer-actress Lorna Luft makes her Birdland cabaret debut in “Lorna's Living Room,” with two different shows, February 11 and 18, 2013, both at 7pm. “It’s like having old friends over,” she says. “We make merry, laugh, and sing. I’m the hostess-with-the-mostest, so to speak. And anything can happen.”
One critic summed up the film adaptation of the 1967 Tony-winning musical, Cabaret, as “a darkly sexy beast.” It’s certainly dark and sexy, while being immensely musically entertaining; and now, thanks to a restoration and remastering by Warner Bros., you might say a lot of light has been shed on Bob Fosse’s version which borders on a masterpiece and which netted him an Oscar.
The 13th season of the Town Hall's “Broadway by the Year” series gets off to a rousing start Monday, Feb. 11, at 8pm saluting 1937. It will be a very romantic line-up of tunes just in time for Valentine’s Day. Headlining will be Nightlife Award winning vocalist Carole J.
“To be, or not to be: that is the question.” “Hell is empty and all the devils are here.” These lines from Hamlet and The Tempestare among Shakespeare’s most quoted.
The Phantom of the Opera.The longest-running show in Broadway history. 25 years on Broadway. 1,0399 performances. And all in one theater.
Saturday’s black-tie performance for an invited audience of great fans, celebrities and numerous alumni of the show and festive gala was worthy of the opening night of a landmark musical. One that’s become a worldwide blockbuster for composer Sir Andrew Lloyd Webber and lyricists Charles Hart and Richard Stilgoe.
Instead of Cats being labeled “Now and Forever,” that catchphrase should have been saved for The Phantom of the Opera.On Saturday, Jan. 26, 2013, it will celebrate the unprecedented milestone of playing on Broadway 25 years and counting – and in one theater, the Majestic.
Anyone who loves New York and theater surely had a blast with Season One of “Smash.” In spite of some of its time-bending and asinine aspects, viewers will treasure the DVD set (NBC/Universal Studios Home Entertainment; four discs; widescreen; 650 minutes; SRP $45). The musical series, supposedly reality-based, celebrates the thrill and heartbreak of Broadway by following a motley group of dreamers and schemers and great talent, working in a matter of weeks, creating a bio musical on Marilyn Monroe.
January 26, 1988: It was one of New York’s coldest windiest nights, but outside the Majestic Theater, there was nothing but hot excitement as hundreds of media captured the arrival of celebrities in black tie, elegant evening wear and sparkling jewels emerging from limos onto the red carpet. Audience members and a crowd worthy of a Hollywood premiere shivered to observe and gawk. This was the opening night of Andrew Lloyd Webber and Charles Hart’s The Phantom of the Opera.
Since its premiere at Theater 80 in 2011, Silence! The Musical hasn’t been able to remain silent Off-Broadway at the Elektra Theater (669 Eighth Avenue at 42nd Street) or in its first regional production in Los Angeles and first foreign production in London. In fact, since December 30th, it’s shattered its own previous smash Off-Broadway box-office record.
The bawdy satire has a huge cult following. It was selected by Time magazine as one of the Top Five Musicals of 2011 and won the 2012 Off Broadway Alliance Award for Best Musical.
Unless you’ve been living life on Mars (and, these days, you might be), you are familiar with Mayhem, the character pitching on TV commercials for Allstate Insurance, played by Dean Winters (“30 Rock” and so memorable on HBO’s “Oz” and who, in real life, has had more than his share of mayhem moments).