What irony there is having productions of Arthur Miller’s excellent emotions-extracting drama All My Sons emerge with apparent frequency and acclaim after it was decried as a Communist play and a blatant undermining of the American business ethos. It is back again courtesy of the Roundabout Theatre Company. It remains terrific. There is no question that the accusations and allegations have proven to be woefully misguided both by the passage of time and the more open debate regarding the play’s social and political point of view.
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