Another musical with a long production history also recently finally arrived on Broadway and employs familiar tropes to interpret modern society. Anais Mitchell’s Hadestown comes to the Main Stem after concept albums, workshops, a 2016 off-Broadway run at New York Theater Workshop, and a London engagement at the National Theatre. Mitchell’s delightfully funky folk opera weaves together the myths of Eurydice and Orpheus with that of Persephone and Hades to create an allegory of the conflicting strains of passion, art, and commerce.
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