The second play in The Coast of Utopia trilogy, Shipwreck, in Moscow and Paris, includes the 1848 revolution, and the Paris set is amazing before and during the revolt.The style of the whole production is brilliant, and the stage pictures would be a reason to see it.
Brian F. O'Byrne is featured, and with him singing his lines and Crudup squeaking his, the most interesting thing about the show is that it isn't very interesting, despite being Stoppard. Of course there are valid comments on "Art" and intellectual smiles and titters for lines like "Apathy takes great effort." There is a 19th Century love quadrangle, with philosophic musings thrown in, but I found it all to be a somewhat marvelous bore. Tom Stoppard's logorrhea, sung to us in a loud whining song by O'Byrne, turns me off a bit. But I guess if you're spouting pretentious horseshit, you might as well declaim it. Maybe the third play, Salvage, will capture me.
