Charles Dickens' A Christmas Carol has had many permutations and interesting interpretations. At Applauz, under James Dublino's direction of La Jolla playwright David Wiener's adaptation, the classic is liberally laced with holiday songs. Wiener's script gives us the essence of Dickens' classic.
David Rethoret's Scrooge is properly gruff and demanding. His demeanor changes as he meets the three ghosts. Jessica Jones, adeptly representing the past, starts him on his transition. Jessica Stamper, stunning in her multi-petticoated gown, proves to be a strong and reproving Christmas Present. It is voiceless Franco Antonio Cacho, attired in black, with artfully masked face and bony hands, that is truly scary. Terence J. Burke is a very strong nephew Fred.
The remaining ensemble bridge scenes, underscore scenes and, occasionally, are the scene. Jessica Jones is featured in a rousing rendition of "Joy to the World," Tiffini Lopez brings us a beautiful "Ave Maria," and Alfred Vargas is exciting in a version of "Cantate Dominum." Other favorites included "God Rest Ye Merry Gentlemen," "Deck The Halls" and "We Wish You A Merry Christmas." The blending of the classic tale with classic Christmas music works very well.
Director Dublino has required many of his cast to be triple threats (acting, singing and dancing). Vargas also gives a charming performance as Bob Cratchit. Lopez plays opposite Vargas as poor Mrs. Cratchit. Kristle Bulleman is daughter Martha, and Brian Lowe is Tiny Tim. Jessica Seaman is the Narrator, as well as several other characters. Jon Kirby LeBorgne's three roles include Marley, Mr. Fezziwig, and a Portly Fellow. Oscar Andrade, as the Young Scrooge, and Kamielea Waldriff, as Mary and Woman 1, complete the cast.
Applauz Theatre is a small venue, under 50 seats, whose stage offers only one entrance. They are limited to a very simple lighting system and basic sound. As such, Carol Lynn Scribner's art and set design delight.
While Scrooge's office is relatively realistic, the city exterior takes on an almost comic-book flair. David Farlow's sound design, while somewhat limited, enhances the production. Brenda Leake and Ragz 2 Witches provide props. It took Enchanted Attic, James Dublino and Jessica Seaman to provide the vast array of costumes needed for the production (costume changes are quick and efficient). Franco Antonio Cacho's choreography works well. Most of all, the cast give the impression that they're family and are enjoying the performance.
