Although its plot revolves around the character of Guido, a Fellini-like Italian film director, Nine is most impressive as a vehicle for the women in Guido's life. John Stamos has taken over from Antonio Banderas as the male lead, and he sings and acts well. His words are more clearly understood, and he exudes his own star quality, though he seems a bit young for the part. The director is supposed to be just 40, and Stamos is approaching that age, but one expects the character to be older. (Actually, Guido is an emotional adolescent, and that adds validity to Stamos' casting.) Most impressive are the appearances of Eartha Kitt, who is even more charismatic and inventive than Chita Rivera, as a producer; and Rebecca Luker, who sings Maury Yeston's best song, "Unusual Way," as Guido's former lover who returns to star in his new film. Sara Gettelfinger has taken over as Guido's sexy mistress and does a flashy turn that abandons any trace of subtlety. Mary Stuart Masterson continues as Guido's wife, singing with a surprising richness. And Myra Lucretia Taylor is a vivid Saraghina, Guido's instructor in the art of love.
