Total Rating: 
***1/2
Previews: 
October 7, 2010
Opened: 
October 31, 2010
Ended: 
open run
Country: 
USA
State: 
New York
City: 
New York
Company/Producers: 
Barry & Fran Weissler, Jacki Barlia Flori & The Vineyard Theater.
Theater Type: 
Broadway
Theater: 
Lyceum Theater
Theater Address: 
149 West 45th Street
Phone: 
212-239-6200
Genre: 
Musical
Author: 
Music: John Kander; Lyrics: John Kander & Fred Ebb
Director: 
Susan Stroman
Review: 

 What an inspiration: telling the sordid story of the persecution and prosecuting of nine black young men falsely accused of raping two white prostitutes in Alabama in 1931 as a minstrel show performed by blacks, who play all characters, white and black, including the sheriff, and only one white, John Cullum, in the cast as The Interlocutor. It's a bizarre, but palatable way of telling this horrible story, including a humorous song about the electric chair.

The Scottsboro Boys is a surreal nightmare played out as an absurdist comedy. It's beautifully, innovatively directed with style and flair and brilliantly choreographed by Susan Strohman, with a top-notch, versatile ensemble cast including the vivid Joshua Henry, design by Beowulf Borrit that is simple but profound and fine costumes by Toni-Leslie James.

Although cartoony in presentation, this musical by John Kander, Fred Ebb and David Thompson is a unique, powerful theatrical experience full of songs by two of the best. The final moment will move you and stick with you.

BShow Photos - The Scottsboro Boys - Rodney Hicks - Joshua HenryShow Photos - The Scottsboro Boys -Show Photos - The Scottsboro Boys - John CullumShow Photos - The Scottsboro Boys - Sharon Washington Show Photos - The Scottsboro Boys - Colman Domingo - Forrest McClendon

Cast: 
John Cullum, John Cullum, Colman Domingo, Sean Bradford, Josh Breckenridge, Derrick Cobey, Rodney Hicks, Kendrick Jones, Forrest McClendon, Julius Thomas III, Sharon Washington.
Technical: 
Set: Beowulf Boritt; Music Dir: David Loud; Sound: Peter Hylenski; Costumes: Toni-Leslie James
Critic: 
Richmond Shepard
Date Reviewed: 
November 2010